Tag Archives: Kodak HC110

Praktica history – chapter three – the BX20s and the 135/2.8 tele lens

I acquired a Prakticar 135/2.8 with the Praktica BX20s. I haven’t used a tele lens for at least five years and shooting with it was feeling strange. Everything seemed so close looking through the finder and instead of moving closer to the subject, I suddenly had to move backward. Also the 2m minimum focus distance is more than different from what I’m used to.

Anyway, looking at the images, there are two very nice things to observe: the pronounced separation of subject from for- and background and the nice bokeh. I don’t think the 135mm/2.8 will become my favorite lens now but I might take it out of the cabinet every once in a while. 

The images are taken on Fomapan 400 and developed in Kodak HC110.

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Some more images with the Yashica ML Macro 55mm 1:4

Here is a quick follow up to my last entry about the Yashica 55mm/4 macro lens. This time I was shooting Fomapan 400 with a bit of grain. The film was developed in Kodak HC110 at 24C to shorten the developing time. As for the previous post, no extra sharpening was applied to the images after scanning. I adjusted contrast, highlights and shadows only.

I can still not believe how sharp the lens is. These images are taken with a wide open aperture and are still spot on. I also like the angle covered by the 55mm lens. I used to have a Nikkor 90/2.8 and I always found the view to tight and restricted.

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Ilford HP5+ – the expired film page

The other day I rushed out of my place, grabbed the Konica Hexar AF for the AF and the ‘ease of use’, took a roll of HP5+ and thought that this would serve my intend. I set the ISO to 800 with the believe that HP5+ pushes with some ‘grace’.  I developed the film in Kodak HC110, dilution B, 21C for 7min.

When I looked at the finished film, I realized that it might have been a roll that expired long ago. I checked the canister and it gave an experation date of 1993. Damn, that thing has been expired for 24 years and I treated it as just coming out of the factory. 

What do the years of unknown storage conditions do to a roll of HP5+? First thing I noticed is the totally foggy film base which really doesn’t help the details in the shadows: they are pretty much gone. In the lights you can still find quite some separation and the scan gets this perculiar semi high contrast look of having separation up to the middle of the tonal scale and falling off right after. Some time ago I observed the same with expired UP400 by Maco. The emulsion is apparaently the same as HP5+. So no surprises here.

What I should have done knowing about the film being expired is to rate the film at ISO 100 or 200 and do a semistand development with 1g of potassium bromide added to avoid extensive fogging. However, it’s obviously too late now. I can try the 2nd roll I still keep in the fridge. Or, I might just get rid of it. Sometimes, if the results look like this, using expired film isn’t fun at all.

My cat Maya served as the model of the example images posted here. The rest of the film is far from usable. Images I imagined to be quite well composed were extremely underexposed. 

THIS AIN’T FUN. SAD.

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Another Orwo NP27 expired a long time ago – the expired film page

I tried another long expired Orwo NP27. It doesn’t look pretty. The emulsion got tons of defects and it seems that the beginning and the end of the film behave worse compared to the middle. In general I observe that faster films age much worse compared to an ISO50-100. These film which I got with a bunch of others films on ebay expired in 1980. Oh my, the film expired 34 years ago. Isn’t that vintage?

I developed the film in Kodak HC110 diluted 1+119 for eighteen minutes with one rotation every three minutes. I don’t think the process has much impact on the outcome. The results are and remain more or less horse shit.

However, it’s fun experimenting. Enjoy the mess.

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The Sheikh Zayed Grand Mosque in Abu Dhabi

The Sheikh Zayed Grand Mosque in Abu Dhabi is a place of superlatives. Coming from Dubai driving towards Abu Dhabi, I could spot the large structure easily. It’s the largest mosque in the United Arab Emirates and the eighth largest in the world. The construction of the mosque which tries to unite the cultural diversity of Islam took 11 years using artisans and materials from many countries including Italy, Germany, Morocco, Pakistan, India, Turkey, Malaysia, Iran, China, United Kingdom, New Zealand, Greece and United Arab Emirates.

This wikipedia article and the official home page of the mosque will give you more inside and detailed information.

Visiting the mosque is perfectly organized which is a blessing considering the masses of visitors. However, it’s also a pain in the neck since security and restrictions are present at any moment of your visit. I would certainly suggest an official tour of the mosque. You get to know so much more about the place, its construction and the meaning of many details. Also, you get into the part of the mosque that’s closed to the general visitor. Bring some time and a camera for your visit here. It’s a great place for architectural photography as well as amazing indoor and detail shots.

The photos here are from two different cameras (Hasselbad 500CM and the Lomo Belair, a 6×12 panoramic camera) taken on three different films (Ilford’s Pan F+ and Delta 400 as well as Rollei Retro 80s). The Pan F+ and the Retro 80s were developed in Kodak HC110 while I always use Spuersinn HCDnew for a Delta 400. I know I’m missing some color images here. It’s a good plan for next time to shoot color only.

Hasselblad 500CM  taken on Ilford Pan F (some with red filter):

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Lomo Belair 6×12 taken on Ilford Delta 400:

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Hasselblad 500CM taken on Rollei Retro 80s (some with red filter):

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At the grave yard

I cycled by this grave yard in the woods the other day. I found it by accident and something made me go back with the camera the same afternoon. It’s a quiet place. It’s not a fancy place.

It’s a real quiet place and I realized, this is the first day of my life

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All images were taken with a Hasselblad 500C/M on Rollei Retro 80s and developed in Kodak HC100.

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Expired and exposed ORWO NP27 – The expired film page

Here is another ebay purchase: Seventeen old films made by ORWO. I looked through the films and found a NP27 (ISO400) that was exposed and expired in July 1981. I developed it in Kodak  HC110 1+100 for 2h. The film showed strong fogging but some images could be saved.

On the pictures I found a woman in the kitchen and a dog. I contacted the ebay seller and got the information that the guy who owned the films just passed away in his nineties in Grimma, Saxonia. Since the film expired in 1981, I guess it was shot in the seventies in East Germany. Apparently, the guy was an engineer. However, there is no more information.

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Svema 250 – The expired film page

I found these 3 svema 250 films on ebay, made an offer on the go and won the bid. The films expired in July 1991. The seller didn’t have much confidence to get anything out of the films. Of course I tried. I took an 6×9 Agfa Synchro Box, put one of the films in and tried.

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Svema (Свема, Светочувствительные Материалы) was founded in 1931 in the Ukraine and was the major photographic film manufacturer of the USSR. The company made b&w films and paper as well as cine films and magnetic tapes until 2000. Interestingly, color film was made with equipment that was dismantled from the Agfa factory in Wolfen, Germany after World War II.

According to info on Wikipedia, I have the late 1980s version of the Foto 250 film which is equivalent to ISO 250. The film speed is given in GOST a soviet film sensitivity scale similar to ASA. Infos about the different film speed scales can be found here.

Here is a link to a Svema group on Flickr showing images a little bit more successful than mine.

I threw my images in highly diluted Kodak HC110 (1+100) and let it soak for 2h. that worked just fine for other expired films as well. I agitated the film in the jobo drum for one minute and let it stand for the rest of the 2 hours.

The results were devastating. First I only saw dots, many of them. The light sensitive emulsion was gone in many places. Only two images were recognizable at all. I washed and tried the film anyway. I scanned the two images, imported them into Lightroom and exported them to jpg.

It’s really not much to look at. They are portraits of two of my neighbors in front of the house. I don’t think they’ll come and complain about privacy. Maybe I’ll use the other two films for some pattern project on an extremely sunny day.

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Guarding Chiang Kai Shek

What does this young Taiwanese soldier feel about guarding the statue of one of the most influential man of twentieth century: Chiang Kai Shek.

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I don’t want to make this a wikipedia entry. You can check it yourself and brush up on your history knowledge. When I moved to Taiwan in 2002, I found a young democracy practicing and trying to find its own way. Democracy also meant fist fights in front and inside the parliament between opposing groups. A deep cut seemed to go right through the Taiwanese, a cut too deep to heal easily. The DPP, a pro Taiwan party, was in power and Chen Shui Bian, a supporter of Taiwan’s independence, was president. He was later convicted on two bribery charges and has been serving a 19-year sentence since. Now the conservatives are back in power still on the course of “status quo” with regards to the China question.

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In 2002, when I arrived, the nation was split: one half believing in an independent Taiwan and the other half still seeing Taiwan as a province of Greater China under the rule of the KMT. While the groups are certainly more mixed today, it seemed at the time that the supporters of a Greater China are mostly from the families of the one million soldiers which came to the island in 1949 when the communists under Mao had beaten Chiang and his KMT army. Any kind of opposition against the leading KMT was suppressed with unbelievable violence. After an uprising starting on the  27th of February 1947, the KMT killed 10000 to 30000 Taiwanese wiping out a large part of the political and intellectual opposition. The 228 incident marked the beginning of the “white terror” period in Taiwan. During the 38 years of military rule 140000 Taiwanese were imprisoned and 3000-4000 were executed as “bandit spies”. Even after Chiang Kai Shek’s death in 1975 the terror against intellectuals and their families continued.The martial law in Taiwan was lifted only in 1987 and finally, the state of war with China was over in 1991.

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Taiwan is still not represented in the United Nations after the People’s Republic of China took the seat in 1971. Only 22 nations mainly from Africa, South and Latin America maintain diplomatic relations to Taiwan. During the Olympic Games athletes from Taiwan start under the name “Chinese Taipei”.

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I return to Taiwan several times each year. I meet very polite, friendly and professional people. It’s really easy to get around and travel in Taiwan. It’s a safe place. The food’s great. The economy of the country is doing well. When my curious eye looks around, I see construction and the development of infrastructure all over the place. Taiwan developed itself from a world leader in manufacturing into a stronghold of high-tec designs. I just can’t figure out what the young soldier guarding the Chiang Kai Shek memorial is thinking.

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All images were taken with a Fuji GS645S on Fomapan 400 at ISO1600 and developed in Kodak HC110. A good reference to find out more about Taiwanese history is Denny Roy’s: “Taiwan: A Political History”

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