Monthly Archives: October 2017

The last roll – I sold my Konica Hexar AF

I love to get new cameras and try them out. However, I’ve come to a point having so many cameras and not being neither able nor willing to use them all. Yeah, I have cameras that cost €30. I shot one or two films with it and they are sitting in the shelf now waiting for better days or just enjoying a well deserved retirement. I’m not going to bother about these anyway. 

Then, I have cameras that were quite expensive (range of €300 to €800), that are loaded with features or gimmicks (from the eye of the beholder) and I still don’t use them. The first item on the chopping block is a Konica Hexar AF. I believe I’ve owned it for about two years and I shot three (tops four) films with it.

Why did I buy the camera in the first place? Since giving up 100% on digital photography, I’ve slowed down a lot. I only own one autofocus camera and that is a heavy and bulky Mamiya 645AF. So, i thought it’s time to get a bit faster again and to invest in that little AF support since my eyesight is deteriorating more and more. The article  of the Japan Camera Hunter certainly intrigued me into getting the Hexar AF, It is interesting how the “advanced” compact camera market changed and how more and more people are going crazy to get their hands on a Ricoh GR, a Contax G and a Konica Hexar AF. 

What bothers me about the camera? I guess I never got warm with the feel and the handling of the camera. I shot a film. It was ok but i wasn’t really thrilled with the results. Sometimes when I focus on a subject close to me by pressing the shutter half way and move the frame and press the shutter, the camera starts to focus like crazy and the shot has its focus far behind the chosen object. Yes, I’m in single AF mode and not continuous AF. Often it just works but it is annoying since the behavior reduces the number of good frames.

Second and in my opinion the main reason, I can’t get attached to the camera, is it’s speed. I shoot, the machine loads the next frame automatically, and I shoot again. It’s like shot after shot and feels like digital photography without its advantages of course. Also, before even a couple of satisfying images had built up in my head, the film is already gone. In other words, the camera doesn’t slow me down enough and I just don’t enjoy the “autobahn” style of photography.

There is another thing that drives me nuts. I love high speed films and hardly use film rated under 400. I love pushing films even in normal daylight. The problem is the fastest shutter speed is 1/250 and end up shooting with arpartures of 16 or 22. It’s a nightmare to come up with images that all look like taken with a phone. 

Some minor things that bother me are: finding the manual ISO settings, manual focus is pretty much unusable, exposure adjustment is always reset when the camera is switched off.

Here are the last images I took with the Konica Hexar AF before selling it on eBay. I took the camera to a Renaissance fair close to my home. As usual quite a number of shots are focused somewhere behind the main subject as I described before. However, the shots that are focused correctly are spot on. The lens is incredibly sharp and the autofocus is quite fast to be able the react fast and take the right shot. It also reminded me of the days when I was shooting right into people’s faces more often. But, as I said before, the yield of good shots is quite low. 

While I scanned and edited the images, I felt a bit of regret but it was too late. The camera had been sold already. I know I wouldn’t use it often and hopefully the next owner knows how to appreciate the camera better.

The images are taken on Ilford Delta 400 pulled to ISO 200 and developed in Spuersinn HCDnew. 


A walk along the river Elbe with a Hasselblad, Rollei Retro 400s and a red filter

One of the largest man made park landscapes in Europe can be found close to Dessau in the German state of Sachsen-Anhalt. The area is great for hiking and cycling since it’s loaded with parks and their noble residences. Also 1919 The Bauhaus art and design school settled in Dessau and many typical Bauhaus landmarks can be found here. In my last post I wrote about the “Meisterhaeuser”, the houses of the Bauhaus masters. In my new post you can find some images of the Kornhaus designed and built by the Bauhaus architect Carl Fieger as an restaurant and event complex in 1930. In 2012 the restaurant was re-opened and I certainly enjoyed having lunch on the terrace. 

Ok, let me write about the photography now. The format 6×6: that’s something that was hard for me when I started taking images with the Hasselblad. However, soon enough I realized that the square is a great format and it doesn’t have the limitations of other “cuts”. The subject can as well be centered as off center. All that matters that the extra space is “filled” with something interesting compared to a portrait or landscape shot. 

The film Rollei Retro 400s: usually I’d use it for urban subjects but not for landscapes. The fine grain, the high contrast and the excellent sharpness work well for architectural  photos. I’m positively surprised that the film also has a wide range of grey tones and that the contrast can be tamed. 

The red filter: in short it darkens the blues, lightens the reds. A nice effect is the brighter greens as well. Although, it’s not that strong in summer compared with the fresh greens in spring time. I like how white clouds and bright buildings get this natural glow against the darker blue sky. The effect can certainly be driven to an extreme as  it’s done in infrared photography. Here I appreciate the filter’s subtleness. My favorite is the last image. The sun was setting against a cloudy sky. The llight green of the trees and all these nice grey tones work harmonically together. I didn’t know the red filter would work this well in the evening.


One roll, one topic – the Bauhaus Meisterhaeuser in Dessau

I think I tried several times to take decent images of the Bauhaus Meisterhaeuser in Dessau and I’m not sure I succeeded this time. The three double houses for the Bauhaus masters and the single house for the director were built in a small pine forest between 1925 and 1926. The architect Walter Gropius assembled cubic shapes of different sizes and envisioned an industrial Lego to build the houses. The houses have spacious patios and balconies as well as large windows on the sides illuminating the stairways. The    street side of the houses are mostly shaped by the large atelier windows. 

Now let me talk about the challenges of shooting these houses. There is trees allover the place. They are everywhere and really ruin the light as well as an unblocked view. On the other hand, these tall parallel pine trees somehow underline the cubic architecture and sometimes a tree cleverly breaks the parallelism. I guess I was rather luck with the light and the sun even broke through the clouds. I took this as a chance to use a dark red filter and together with the Rollei Retro 400s film it lightened the greens which looks quite fresh compared to the expected heavy dark above the white buildings.

Another quite annoying issue is that the space is very limited. Regardless of the lens used, lines will be falling and nothing is worse trying to portrait a design based on parallel lines and 90deg angles. Sometimes it seems beneficial to make the falling lines even stronger by using a wide angle lens or a low point of view but except using a large format camera or a tiltshift lens, we need to live with it. 

None of the images show the street side views of the houses. I tried one out of twelve and didn’t find it worthy to be shown here. The issues with the trees, the light and the falling lines just seem to be worse. However, maybe a good reason to return and focus on the street facing side.

Last but not least, I want to make some comments about the choice of film. Rollei Retro 400s is a fine grain emulsion that is also very sharp as well as high contrast. I think it’s a good pick to shoot architecture. However, I usually tame the contrast a bit by shooting at ISO 200 and reducing agitation during development. 

The last image doesn’t show one of the original houses. The homes of the directors were destroyed during the last days of WWII. In 2014 new houses were built but they do not resemble the originals. These two houses are new interpretations of the old without being the old.

i will continue with a bit more Bauhaus in a couple of days. Until then, enjoy.