Most of my camera purchases are emotional. I don’t sit down and compare features, draw a chart and make a decision based on technical facts. I listen to the resonance a camera leaves behind. I guess that’s the reason I buy and sell quite frequently since I give a new camera a shot but get rid of it again when we’re not becoming good buddies.
The Pentacon Six TL is one of these cameras I always wanted to have since I believe it’s the best looking 6×6 camera. Growing up in East Germany where the camera was made, i had no chance to get my hands on one. The cameras were almost exclusively made for export or for professional photographers. After the reunification I forget about the camera and focused on Japanese made SLRs with all bells and whistles. After my digital era, my analog work horse became a Hasselblad 500c/m but I started to look into finding a Pentacon Six TL.
The first one I got on eBay was cheap, didn’t look that good and fell apart when I unwrapped it. I was pretty frustrated and sold it as defect again. After that I kept looking on eBay but was concerned buying from a private seller and a bit scared by the high prices of the stores. Finally, I found one that was in great shape cosmetically and seemed to work as well. Only the film counter seemed broken.
I took the camera on a weekend trip, shot a couple of rolls only to find out that the filmtransport wasn’t working and that most of the shutter speeds were off as well. While the speeds were easily fixed by cleaning the mechanics, the transport is apparently not easy to fix. It took the repair guy about a year to heal the camera. I went by a couple of times and he continued telling me that he hates dealing with Six TLs.
Since the camera is ready I’ve shot a couple of roles. Honestly, I love the camera even though it’s far from perfect. The waist level finder is bright and allows easy focusing. The ergonomics of shutter and film winder is quite good. It rather feels like a heavy 35mm than a MF camera. I’m not gonna go into much more technical detail describing the few knobs and wheels. It’s worth to mention that inserting the film always makes me nervous. If the counter is working, the camera is ready when it points to the “1”. Otherwise, advance and release three times to be on the first frame. The camera also allows you to shoot a thirteens frame but where to put this extra frame if the film sleeve only holds twelve 6×6 images. The biometar 80/2.8 is a good lens. It’s sharp and quite high contrast. Light falls of towards the edge giving the images quite a vintage look. I haven’t done a lot of crazy testing yet but I like what I see even shooting with wide open aperture. I recently also acquired a Flektogon 50mm/4 and looking forward taking it out together with the Six TL.
Here a little update after I got a response on twitter: I’ve decided to love the camera as long as it works. She’s an old lady on her last mile and we will enjoy this time.
The images are taken on Ilford Delta 400 pushed to ISO 800 and developed in Spürsinn HCDnew.
- The last roll – I sold my Konica Hexar AF
- Camera talk – an affordable panorama camera
- praktica history – chapter one – the praktica kw
- Israel as Panorama
- One roll, one topic – autumn mood in b&w