Tag Archives: fall

Camera talk – the Rolleiflex 6008, should I stay or should I go

There is one piece of German engineering that is hopelessly overdone, heavy, bulky to call out a few things and you don’t really want that thing in your house: the Rolleiflex 6008, a powerplay that can be used to shoot square photos on medium format film as well. But it seems, I can’t really sell it either. Some voice is saying “keep me, keep me, I’m worth every penny you paid for me”. Hope dies last and I still resist to hit that “sell” button on eBay.

The thing that bothers me the most is weight and form factor. While a Hasselblad hugs your hands smoothly and quietly hangs lens down when not using it, the Rolleiflex drags you down like a pair of cement boots while shooting and is always in the way somehow when not. What I mean is that a Hasselblad’s weight is distributed horizontally and it’s almost like a sleeping baby in your hands. The Rolleiflex with its motor drive and prism finder tends to be more vertical and the heavy lens makes it hang on your shoulders like a sack of potatoes. Believe me, the camera is always in the way. 

Another very annoying thing is that the camera has some kind of malfunction. Randomly the camera would open and close the leaf shutter in the lens as it’s supposed to do. However, the mirror doesn’t go back down, the shutter stays close and the film wouldn’t advance. The entire camera is stuck for a random amount of time. At some point pressing the shutter again will bring the camera back to life. The problem with the Rolleiflex 6008 is that everything is electronic. The lens has ten contacts to the body, the film back six and the battery four. The first thing I did was to make sure there is always a fresh battery in the camera. Sometimes these old electronic parts have high leakage and the battery runs down much faster. However, that wasn’t the issue. Then I cleaned all the contacts and it seemed to work in the dry run for at least two weeks. I even shot one full film without the malfunction occurring. When I put in the next film it happened again and I was back brainstorming. Checking all the contacts again, one pin going to the film holder was shorter than the others hinting a loose spring. I fixed it with some aluminum foil and finished the roll without issues. Now, I’ll be back on the dry run and at some point I’ll load the next film without removing the back. 

It seems the camera really drives me nuts while it also has its perks. The 80mm HFT lens is one of the sharpest I’ve ever shot with. It even beats the Hasselblad 80mm Planar and I wouldn’t complain about it at all. The camera also has three metering modes. I have to say the matrix metering is quite good and the 1% spotmeter comes in very handy. There is another mode that calculates the average of five spots as well. As far as I can tell this is pretty advanced for a MF camera and the metering hasn’t failed me. I also like the film Magazin with the built in dark slide. It is most certainly one of the more brilliant strokes the German engineers had designing this camera. How often did you misplace a dark slide of the Hasselblad?

I’m still not sure to keep it or sell it. The camera is not the same fun like my Hasselblad 500c/m and of course it’s not good to always worry about the malfunction occurring again. But sellin* it on eBay as defect would score me almost no money anymore. I just can hope the aluminum foil fixed the issue with the shorter magazin to body contact. 

I’ll also throw some ballast off shooting the next film. The so called action grip as well as the prismn finder have to go. Maybe using the camera in a Hasselblad fashion will help me to like it more. 

Enjoy the images below. They are shot on Fuji Superia 400 which isn’t available for MF any longer. I don’t shoot a lot of color but that’s a film I really like. 

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Film talk – Adox Colour Implosion

When I shopped for films last summer, I came acros an experimental film that is only available for a limited time by Adox. The name of the film sounded intriguing “Adox Colour Implosion”. Yeah, what do you make out of this?

Adox itself writes about the following about the film:

“Did your parents drop off a roll of film in the 70ies in a one dollar shop for cheap development and you just found it on your attic? In this case your images might look like if they were taken on color implosion. Colour implosion fears the grain of an 800 ISO film combined with the effective speed of a 100 ASA film. On top we pre-treated it so the color coupling system partially collapsed. With this grain and these light desaturated colors no one will think that you are still shooting digital.” 

Wow, sounds weird and quite a bit hipster-ish. I tried anyway, got a role, left it in the fridge for a while and shot it a couple of weeks ago to catch some imploded autumn colors using the Contax RTSII, a 50mm/1.8 and a 55mm/4 macro. 

My first thought when I saw the blue-magenta vase color was, am I going to be able to scan that beast? However, it scanned surprisingly well. It seems the Silverfast software can handle a wide range of base colors. I played a bit with the film profiles and ended up with Fuji NPH. I tried to set a grey point where I had one but didn’t bother too much. The colors weren’t “real” anyway and I did the final adjustment according to my liking in Lightroom. 

At the time I scanned the film, I haven’t read the Adox info about the film yet. I looked at the grain and I went “Wow, this is an ISO100 film. How can that be?  The grain looks more like an ISO800.” Ok, the Adox intro explains it. It’s supposed to be this way. Honestly speaking it works for me. There is a lot of grain but one could almost call it fine and subtile. The grain is also responsible for this incredible detail in the focus areas.

I’ve seen lots of images online with a yellow-greenish colorcast and really flat colors. However, I didn’t really experience any of these. For sure, the colors aren’t as saturated as a normal color film. And yes, if the reds are correct, the blue of the sky might end up wrong. I followed my personal taste and hardly modified anything in Lightroom.

Enjoy the images! Feedback is very much appreciated. There is quite a number of great photos shot on Adox Colour Implosion in this Flickr group.

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